ZOOT SUIT
by Luis Valdez, Santa Ana Phillips Hall Theatre
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Choreography: Kari Jensen
Set: Sean Patrick Small Lights: Sean Patrick Small Sound: Christopher Kittrell Costumes: Donna Dickens Props: Valinda Tivenan Stage Manager: Chelsea Luarte Small |
"The theatrical venue has some acoustic limitations, but the show is smartly directed by Chris Cannon and his visionary leadership for this production is evidenced with a standout performance by Joel Mijares as El Pachuco."
- Jordan Young, L.A. Examiner
"The show clearly resonated with its diverse audience. The original Joey Castro, Mike Gomez, performed in Zoot Suit for three years beginning in 1978 at the Mark Taper auditorium and on Broadway. The veteran actor [who attended as an audience member] said this performance brought back memories for him. 'I felt emotional while watching.' With this production of Zoot Suit, Cannon has helped us to reconnect with our forgotten history."
- Saeeda Hasan, El Don News
"The play was spectacular. I’ve seen Zoot Suit performed several times. However, I don’t think I enjoyed a performance as much as the one last night. Cannon nailed it!"
- Raul Rodriguez, Chancellor RSCCD
"Zoot Suit is credit to the artistic vision of director Christopher Glenn Cannon. It was a perfectly implemented theatrical journey of emotions, energy and excitement – a high point in OC theatre.
- Jose Rodriguez, patron
"This production was nothing short of excellent."
- Mayra Vargas, patron
"Director Christopher Glenn Cannon transforms the theatre into the dingy streets of 1940s L.A. during the Zoot Suit Riots. It is a unique reinterpretation of a significant work of Latino theatre while still maintaining the essence of the playwright’s original concept. It is creative and beautifully done."
- Maritza Olmos, patron
"Christopher Glenn Cannon’s direction is both bold and commanding, creating his visionary interpretation of Luis Valdez’s historical work."
- Henry Zambrano, patron
"We all loved the performance. I was mesmerized as was everyone else. It was so beautifully done, and we all had a grand time."
- Jacqueline Shirley, patron
"I have nothing but praise for the show. The direction was solid, the pacing was tight and nothing lagged. What a fantastic, professional production this was. The OC is so fortunate to have Christopher Glenn Cannon as new resident director."
- Mary Huebsch, patron
- Jordan Young, L.A. Examiner
"The show clearly resonated with its diverse audience. The original Joey Castro, Mike Gomez, performed in Zoot Suit for three years beginning in 1978 at the Mark Taper auditorium and on Broadway. The veteran actor [who attended as an audience member] said this performance brought back memories for him. 'I felt emotional while watching.' With this production of Zoot Suit, Cannon has helped us to reconnect with our forgotten history."
- Saeeda Hasan, El Don News
"The play was spectacular. I’ve seen Zoot Suit performed several times. However, I don’t think I enjoyed a performance as much as the one last night. Cannon nailed it!"
- Raul Rodriguez, Chancellor RSCCD
"Zoot Suit is credit to the artistic vision of director Christopher Glenn Cannon. It was a perfectly implemented theatrical journey of emotions, energy and excitement – a high point in OC theatre.
- Jose Rodriguez, patron
"This production was nothing short of excellent."
- Mayra Vargas, patron
"Director Christopher Glenn Cannon transforms the theatre into the dingy streets of 1940s L.A. during the Zoot Suit Riots. It is a unique reinterpretation of a significant work of Latino theatre while still maintaining the essence of the playwright’s original concept. It is creative and beautifully done."
- Maritza Olmos, patron
"Christopher Glenn Cannon’s direction is both bold and commanding, creating his visionary interpretation of Luis Valdez’s historical work."
- Henry Zambrano, patron
"We all loved the performance. I was mesmerized as was everyone else. It was so beautifully done, and we all had a grand time."
- Jacqueline Shirley, patron
"I have nothing but praise for the show. The direction was solid, the pacing was tight and nothing lagged. What a fantastic, professional production this was. The OC is so fortunate to have Christopher Glenn Cannon as new resident director."
- Mary Huebsch, patron
